My practice operates at the intersection of material inquiry and institutional critique, examining how objects accumulate meaning through context, proximity, and the passage of time. Working primarily with found materials, installation, and process-based methods, I seek to reveal the latent narratives embedded in overlooked spaces and discarded things.

Central to my work is a persistent questioning of where the artwork ends and the environment begins. By intervening in architectural spaces — stripping back surfaces, redirecting light, introducing material contradictions — I aim to make the viewer acutely aware of the conditions under which they encounter art. The gallery is never neutral; it is always part of the work.

Based in London, I hold an MFA from the University of the Arts London, where my research focused on the phenomenology of exhibition spaces. My recent work has moved towards an engagement with silence and absence as sculptural materials — exploring what remains when the visible is deliberately withheld.